Interview
Khaled Sabsabi’s Art of Collective Becoming
“I believe in the fact that the people hold the power,” the Lebanese-born representing artist of the Australian pavilion told Hyperallergic.
Interview
Interview
Rosy Simas on Creating a Space for Peace in Minneapolis
Hyperallergic sat down with the Minnesota-based Seneca artist to discuss her exhibition at the Walker Art Center.
Feature
At 90, Printmaker Mohammad Omer Khalil Gets His Due
The New York-based Sudanese artist looks back on a lifetime of experimentation in a multi-city retrospective.
Interview
Tania Bruguera on Why Today’s Art Must Be Political
Ahead of her performance “Tatlin’s Whisper #6” in Times Square, the artist and activist talks to Hyperallergic about free speech in times of rising authoritarianism.
Interview
Tania El Khoury’s Soothing “Revenge Art”
The Lebanese artist and Bard College professor spoke with Hyperallergic about her recent projects and precarious life under bombardment in Beirut.
Interview
In the Studio With Rama Duwaji
Surrounded by her drawings and ceramics, we discussed her evolving art practice and new life as NYC first lady.
Feature
Ali Eyal Gives Testimony
“I was nine years old, and I felt like I lost that childhood,” the Whitney Biennial artist told Hyperallergic, reflecting on the US’s war in Iraq, the disappearance of his father, and the art he makes to process.
Feature
Making a Mess With CFGNY
We spoke to the fashion collective, who will be in the Whitney Biennial and shows at Pioneer Works and Amant, about collectivity and taking chances.
Interview
The Moment Caravaggio Became Caravaggio
What can an early painting tell us about an Old Master? We asked the Morgan Library’s curator to find out.
Interview
This Is the Year We Redefine Art Institutions
I sat down with curator eunice bélidor and arts administrator Dejha Carrington to discuss what have become reductive ideas about the role of art museums, my own included.
Community
Beer With a Painter: Michael Berryhill
“You can’t think your way through a painting,” the artist said during our conversation at his home studio in the Catskills. “You can only act, mark, or feel your way through.”