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Joan Semmel Is Doing Her Best Work at 93
“You say, ‘Fuck you. I'm good and you're wrong,’” she told Hyperallergic. “This is who I am, this is what I do, and this is what I care about.”
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Harry Bertoia Gets His Moment
As a sculpture long thought lost resurfaces in Detroit, the artist and designer’s alma mater sets its sights on a major retrospective.
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Rawya El Chab Tends to the Wounds of Lebanon's Civil War
The latest segment of her performance series “Crossing the Water” chronicles life under military occupation after the 1982 Israeli invasion of Lebanon.
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LACMA’s New Building Invites You to Chart Your Own Path
Some visitors may feel unmoored by the museum’s open plan and free-floating associations, but others will welcome the unconventional approach.
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What Do We Really Think of the New New Museum?
Hyperallergic’s editors sit down for an earnest conversation about the institution’s expanded building and inaugural exhibition.
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Artists Set Islamic Futurism Into Motion
Islamic visual traditions have long made space for realities beyond direct perception, and these artists work in calligraphy, installation, and speculative image-making to carry them forward.
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The Tender Work of Preserving Renee Good’s Memorial
A traveling photographer has decided to stay in Minneapolis to care for the hundreds of artworks, objects, and messages left in memory of the poet and mother.
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The Sartorial Is Political in “The New York Sari”
At the New York Historical, an exhibition reminds us that the sari is a living art form, an heirloom, a document, and a political statement in one.
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Meet the Woman Who Made Museums More Accessible
The first head of Accessible Programs at the National Gallery of Art tells us about her path and the future of museum accessibility.
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A Visual Journey Through 150 Years of the Legal Aid Society
A new display at the NY Historical traces the impact of the largest legal organization for low-income individuals in the United States.
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Beverly Buchanan’s Architecture of Care
Her practice was one of embodied noticing — exploring, feeling out, or reaching longingly for a Southern architectural vernacular.
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The Tiny Brooklyn Project Space Resisting the Gallery Machine
The non-commercial Greenpoint-based space Subtitled NYC models the tentative ways we make do in everyday life.