Community
A View From the Easel
“I like to play with materials that have a history of manipulation.”
Community
“I like to play with materials that have a history of manipulation.”
Community
“A certain level of distraction can help me see the work more clearly.”
Community
“The main thing I love about my studio is that it is mine. No one can enter without permission.”
Community
This week: Tania Bruguera’s museum manifesto in stained glass, Molly Crabapple on AI’s art heist, Rachel Corrie’s mother speaks out, remembering Ashaji, right-wing knitters, and more.
Feature
Hyperallergic’s editors sit down for an earnest conversation about the institution’s expanded building and inaugural exhibition.
In Memoriam
This week, we honor a pioneering composer, Indigenous muralist, and Upper East Side gallerist.
Feature
At the New York Historical, an exhibition reminds us that the sari is a living art form, an heirloom, a document, and a political statement in one.
Community
This week: women’s strike in Argentina, graffiti dialogues in Brooklyn, UK museums hold human remains from former colonies, mini Tudor paintings, mapping The Met, and more.
Community
“I use my entire body when painting, so I need to align it with my mind beforehand.”
Guide
Read up on the hidden history of occult influences on modernism, French sign painters, the Finnish painter who bucked convention, incarcerated artists, and more.
Books Newsletter
The story of Lisette Model and other photographers who shaped the way we historicize social movements today.
Community
This week: Iranian heritage sites, a Native artist’s anti-ICE beadwork, France’s Braille Museum, mapping Black-owned bookstores, the business behind America’s sauna frenzy, and more.